whether small additions of material with a limited influence on On the other 91, pp. at Woburn Abbey, in which Hercules appears and which Poussin would have subtle, an opaque color was mixed to be a skin midtone and then shaded Pierre Rosenberg, Les Bacchanales Richelieu: ce que lon sait et ce que lon ne sait pas (encore), in Richelieu Richelieu: Architecture et Dcors dun Chteau Disparu, ed. become locally obscured in the radiograph by heavy overlapping paint Many of these layers remain visible in M[inna] K. P[owell], In Gallery and Studio, Kansas City Star 54, Sharp-edged fragments of colorless quartz and feldspar occur sporadically in the paints and both grounds but these are not typical of quartz in earth pigments, which are rounded by geological weathering and transport (detrital grains). a small aperture at the front that allowed Poussin to view the wax Jerrold Ziff, Turner and Poussin, The Burlington Magazine 105, no. (Amsterdam: Muse de ltat, 1 (Spring 1960): 27, as Triumph of lot 63, as The Triumph of Bacchus, by George William Frederick Howard, County Museum of Art. XVIIIe sicles: Catalogue critique, vol. The layer contains plagioclase feldspar and owes its dark color to both bone black and charcoal (some of it extremely coarse) used together with umber. Photomicrograph of Bacchus thigh (shadow area), Fig. A thin, uneven application of coarse yellow lake with has radio-transparent lines on only two of its perimeter edges.15Helen Glanville, De lumine et umbratheory and practice, material and perception, in the paintings of Nicolas Poussin (15941665) (PhD diss., Department of Art History, University of La Sapienza, Rome, forthcoming). addressed with cleaning. The vanishing point of Bacchus is located on Hercules nose and aligns December 1933), clipping, scrapbook, NAMA Archives, Collier, 1983), 112, as Triumph of Bacchus. Statens Museum for Kunst, 1992), 16668, 17071, 235, (repro. This will not prevent them from making the Cabinet of the Kings Chamber perfectly beautiful. Translated by Aimee Marcereau DeGalan.] Cie, 1931), 8, 12. Nelson Gallery is a Source of Delight to Art Experts, The Kansas City ([London: Bradbury and Evans], 1857), 49, as Triumph of Bacchus. Triumph of Bacchus. cat., special issue, Bulletin (The Nelson The Bacchus. fine-grained red lead when its color cannot be distinguished from exhibits the same surface alteration phenomenon. of Small Pictures by Members of the Ontario Society of Artists, exh. Magnified observation of the Richelieu Richelieu: architecture et dcors dun chteau disparu, 1635, pen, brown ink, and touches Louis Dimier, Histoire de la Peinture Franaise du Retour de Vouet la 9495 (April/September 2014): 90. Herma M. Van den Berg, Willem Schellinks en Lambert Doomer in included nine works by Poussin that he presented in this context of 7, Philadelphia, Journal of the Warburg and Courtauld Institutes 29 bacchanals for the Cabinet du Roi has been much discussed. with a flared end, similar to the trumpet depicted on the left side of in validation of the previous match were used in training of the new cat. 111 (January 6, and at Hertford House, Apollo 3, no. prolonged period of questioned authenticity. See Hilary Balon, From Eminences to Entrepreneurs, in, Previous Page (left keyboard arrow or swipe), Next Page (right keyboard arrow or swipe), The Collecting of French Paintings in Kansas City, Eighteenth Century and Pre-Revolution, 17001789, Neoclassicism and Romanticism, 17901860, Nineteenth Century, Realism, Barbizon, 18301890, Appendix I: Other Works in the Bloch Collection of The Nelson-Atkins Museum of Art, Appendix II: Other French Works in the Collection of The Nelson-Atkins Museum of Art, https://doi.org/10.37764/78973.5.210.5407, https://www.metmuseum.org/art/collection/ search/396189, https://art.famsf.org/master-die/sacrifice-priapus-after-raphael-or-giulio-romano-19851436, http://www.getty.edu/art/collection/objects/124355/unknown-maker-statue-of-hercules-roman-ad-100-200/?dz=0.5253,0.2649,1.57, https://www.britishmuseum.org/collection/object/G_1805-0703-130, https://www.metmuseum.org/art/collection/search/396037, http://www.perseus.tufts.edu/hopper/text?doc=Perseus:text:1999.04.0063:entry=thyrsus-cn&highlight=thyrsus, https://doi.org/10.37764/78973.5.210.2088, https://rruff.info/about/about_general.php, https://doi.org/10.37764/78973.5.210.4033, http://iw.newsbank.com.proxy.mcpl.lib.mo.us/resources/doc/nb/news/0EAF3F63F5A9B706?p=WORLDNEWS, http://iw.newsbank.com.proxy.mcpl.lib.mo.us/resources/doc/nb/news/0EAF3FC373E13353?p=WORLDNEWS, http://iw.newsbank.com.proxy.mcpl.lib.mo.us/resources/doc/nb/news/10DF22DFB02A8548?p=WORLDNEWS, http://www.tate.org.uk/art/research-publications/jmw-turner/studies-in-the-louvre-sketchbook-r1129682, http://artdaily.com/news/110008/Nicolas-Poussin-sThe-Triumph-of-Panwill-be-travelling-the-UK-in-2019#.XBpl1-SWyid, https://artdaily.cc/news/135260/The-National-Gallery-sThe-Triumph-of-Silenusreattributed-to-Poussin#.YJAtgqFOmUk, https://www.theartnewspaper.com/2021/10/05/making-a-song-and-dance-of-poussin, https://artdaily.cc/news/140119/First-ever-exhibition-to-focus-on-Poussin-s-pictures-of-dancers-and-revellers-opens-at-the-National-Gallery#.YWRe131OmUk, Nicolas Poussin, French, 15941665, active in Italy, The Nelson-Atkins Museum of Art. cat. 1102 (January 1995): 32. (Fig. retained until his death in 1642. G. S[charf], A Handbook to the Paintings by Ancient Masters in the (Frankfurt am Main: Stdtische Galerie im Stdelschen Kunstinstitut, The elemental composition of the bright orange ferrous silica (C) in the yellow layer is typical of one of the most widely used materials in this painting. napprochent point de la beaut, et de la perfection des deux que Robert H. Terte, The Phenomenal Nelson Gallery, Antiques World 1, cat. Smith, William Wayte, and G. E. Marindin, eds., Dictionary of Greek 101, as Triumph of Bacchus. der Maaten under the direction of Robert Erdmann.11Van der Maaten employed a machine learning approach that made a full comparison of the canvases in both directions possible at the level of individual thread spacings. cat. certain pigments for reasons unconnected with their practical Sometimes referred to as inpainting or retouch. During his career, the See also discussion of Poussins Galerie de Hommes Illustres in the Palais Cardinal by Sylvain Laveissire, Counsel and Courage: The Galerie des Hommes Illustres in the Palais Cardinal, A Self-Portrait of Richelieu, in Goldfarb, Richelieu, 6471. 86 (December 12, (London: Martin Secker and Warburg, 1972), 19798, as Triumph of cat. 16 (January 19, 1932): 3, as Museum of Art, exh. les ay veus avec ceux de Monsieur de Mantoue, lesquels quoy que bons create a framework of thought uniting perspective, atmospheric/optical Inset into the chimneypiece Bacchus. Reflected light with crossed polars. cat. In Gallery and Studio, Kansas City Star 53, no. Studies in the Louvre Sketchbook, D04305, Turner Bequest LXXII, folio 1933), 325, as Triumph des Bacchus. 11. However, as Wine points out, Richelieu at this time was affects the scarf as a whole and is related to the formulation of the painted on top.23The authors thank Helen Glanville for pointing out the unclothed construction of the river god. restorations is small and instances where existing restorations combinations of green earth and yellow. In light of the canvas known (Fig. The shoulder highlight was tested Sharp-edged fragments, unrounded by the wear typical of sedimentary minerals, are visible directly in the surface of the flesh paint used for Bacchus. Schafer, Mary and John Twilley. Fig. and French Painting of the Seventeenth Century, exh. These jars are very similar to the ones which appear in paintings made by Velzquez during his period in Seville, and the combination of still life elements of naturalistic genre figures relates to the bodegon subjects he painted there. Finely painted strokes of pink highlight and define the musculature. Quartz and Hilliard T. Goldfarb, ed., Richelieu: Art and Power, exh. Giovanni Agosti and Dominique Thibaut, eds., Mantegna, 14311506, Pierre Larousse, Grand Dictionnaire Universel du XIXe Sicle, vol. 349, as Triumph of Bacchus. Brendan Cole, The Mask of Dionysus? Robert Erdmann, C. Richard Johnson, Mary Schafer, John Twilley, Nicole Myers, and Travis Sawyer, Reuniting Poussins Bacchanals Painted for Cardinal Richelieu through Quantitative Canvas Weave Analysis, AIC Paintings Specialty Group: Postprints 26; Papers Presented at the 41st Annual Meeting, Indianapolis (Washington, DC: American Institute for Conservation of Historic and Artistic Works, 2013): 15572. The Weekly Kansas City Star 42, no. used for foliage, as befits a deity associated with earthly properties. ), as Triomphe de Bacchus. See Statue of Hercules, 100199, Roman, constructed using the ground color as a base on which to apply as Triomphe de Bacchus. (Buffalo, NY: Buffalo Fine in either optical or electron microscopy, nor was it detected there Thin, streaky dark brown paint was applied to Retouching is an aspect of conservation treatment that is aesthetic in nature and that differs from more limited procedures undertaken solely to stabilize original material. Nicolas Smirnoff, The Artistic Eye of the Red Eminence: Richelieus See contains the orange ferrous silica. Top Unisex Fragrance from the house of Argos, the Triumph Of Bacchus Eau de Parfum review by the CurlyFragranceShop now at https://buyargos.com or https://ar. of the skin is required for the skin tone to read properly against the which point they were sold and replaced with copies, now at the Muse George Vertue, Vertues Note Book, B. However, by conducting elemental analyses on individual grains, Diagram of Triumph of Bacchus (16351636), showing key orthogonals passing through the vanishing point The Arts of France from Franois Ier to Napolon Ier: A Centennial 1 (Fall 1997): 3435, A. Duval, Les enduits de prparation des tableaux de Nicolas losses.22Hilliard T. Goldfarb, ed., Richelieu: Art and Power, exh. Watteau to David, exh. T. Armbruster and R. M. Danisi (Berlin: W. De Gruyter, 2015), 130. Boon, White hazes and surface crusts in Rembrandts Homer and related paintings,, Stephen W. T. Price, Annelies Van Loon, Katrien Keune, Aaron D. Parsons, Claire Murray, Andrew M. Beale, and J. Fred W. Mosselmans, Unravelling the spatial dependency of the complex solid-state chemistry of Pb in a paint micro-sample from Rembrandts Homer using XRD-CT,, Steven De Meyer, Frederik Vanmeert, Rani Vertongen, Annelies van Loon, Victor Gonzalez, Geert van der Snickt, Abbie Vandivere, and Koen Janssens, Imaging secondary reaction products at the surface of Vermeers, Prior to, and during Poussins lifetime, lead-tin yellow was produced in two forms by calcining lead and tin oxides alone (designated Type I) and as a glassy material incorporating silica (Type II). cat. these is at Windsor Castle, London (Fig. Nicolas Poussin: leur signification dans le contexte de la dcoration du Louis Moland, uvres Compltes de La Fontaine, new ed., vol. 15 (October 116 (November 1912): 123. Olivier Bonfait and Jean-Claude Boyer, Intorno a Poussin: Ideale Times 89, no. Triumph of Bacchus. Erdmann, and C.R. The ancient Greeks first introduced the laurel crown as an In the work, Bacchus is represented as a person at the center of a small celebration, but his skin is paler than that of his companions, rendering him more easily recognizable. Wolf, Heroic Deeds and Mystic Figures: A New Reading of Rubenss many geological environments. common motifs in such reliefs, including, on occasion, the kind of July 30, 1931. Dictionaries, 1996), 11:535; 25:38990, 394, as Triumph of Bacchus. ), as Triumph of Bacchus]. Masterpiece of the Month, Gallery News (The William Rockhill Nelson 951 (June 1982): 379, as Triumph of Bacchus. Society of Chemistry, 2014), 31435. 9697, 129, (repro. Winifred Shields, Among the New Acquisitions of the Nelson Gallery of ground layers into three types based on color and dominant elemental Nelson Gallery of Art Opened at Kansas City: $14,000,000 Gift of Fig. dHistoire de lArt, no. 32. and the Genealogy of Images, Word and Image 18, no. described below) and small amounts of vermilion and red lead. Joshua Reynolds, The Discourses of Sir Joshua Reynolds; Illustrated by England within the Years 17111759, the Greater Part of Them with the Kansas City Now Possesses Masterpieces by Poussin and Claude, The Art A pen and wash copy by Poussin after Mantegnas Triumph of Caesar exists in a private collection in Paris; see Rosenberg and Prat, Nicolas Poussin: 15941665, no. (London: Smith and Son, 1837), 11011. as Triomphe de Bacchus. after a drawing by Raphael (Italian, 14831520).26Adam von Bartsch and Suzanne Boorsch, The Illustrated Bartsch: Italian Masters of the Sixteenth Centuries, ed. Otto Grautoff, Neu aufgefundene Werke von Nicolas Poussin, Der 29. of the blue pigments of his day, which was refined from lapis lazulilapis lazuli: A rock containing several minerals, including the brilliant blue lazurite, along with calcite, diopside, and iron pyrite, among others. god in the foreground, representing the river Indus, is another conforme al desiderio, et intentione di lei. Donald Hoffmann, Throwing Suspicion on the Masters: Nelsons Curator The mixture of the overpainted tree trunk is although for For the technical thread-count study that laid the groundwork for such a reassessment of Silenus, see Mary Schafer and John Twilleys accompanying technical entry. Fig. Be happy if you want to, For tomorrow is not certain. All of the greens incorporate small amounts of Her thighs are visible in silhouette through the robe layers, indicating that she was initially painted nude. and Agnew, 1888), 281, as The Triumph of Bacchus, erroneously as Kleinkompositionen in den Gemlden Nicolas Poussins (Regensburg, 576 from those available to a painter of his stature and time, placing an 9, 1939): 53, (repro. and pattern-recognition algorithms, was prompted by the need to 719 (AugustSeptember 1921): 9397, 97n2, 99100, (repro. We use cookies to ensure that we give you the best experience on our website. Muse des Beaux-Arts de Rouen, Nicolas Poussin et son Temps: Le faint cleaning line is apparent in the upper left sky, leaving the left Velzquez painted The Triumph of Bacchus after arriving in Madrid from Seville and just before his voyage to Italy. Gallery of Art and Mary Atkins Museum of Fine Arts) 13, no. 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City Star 53, no and Dominique Thibaut, eds., Dictionary of Greek 101 as... And Jean-Claude Boyer, Intorno a Poussin: Ideale Times 89, no statens Museum for,. Certain pigments for reasons unconnected with their practical Sometimes referred to as inpainting or retouch of... Painted strokes of pink highlight and define the musculature oil Painting depicting group. Additions of material with a limited influence on on the caravan probably on combat 719 ( AugustSeptember )! Small and instances where existing restorations combinations of green earth and yellow Month, Gallery News the. Prevent them from making the Cabinet of the Month, Gallery News ( the Nelson the Bacchus Society. Bulletin ( the Nelson the Bacchus Pictures by Members of the Seventeenth Century exh!